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This exhibition is now closed. Please contact the gallery prior to purchasing art from this exhibition to confirm availability.

13 June - 2 September

“Crazy Jane” is the third iteration of Hamilton Gallery’s annual invited artists exhibition series themed around the works of W B Yeats. Ninety two visual artists from all over Ireland bring their own contemporary visual reflections to bear on Yeats’ most potent and visceral female foil Crazy Jane. Through her they revisit and comment afresh, with the perspective of an artist’s eye, on the themes of culture, sexuality and religion that spurred Yeats into writing these poems almost 85 years ago.

Click on an Image for Light Box view.

View fullsize All things remain in God - Yoko Akino
All things remain in God - Yoko Akino
View fullsize Suddenly lit up, From door to top - Neisha Allen
Suddenly lit up, From door to top - Neisha Allen
View fullsize Crazy Jane - John Behan
Crazy Jane - John Behan
View fullsize Jane and Jack the Journeyman - Petra Berntsson
Jane and Jack the Journeyman - Petra Berntsson
View fullsize Crazy Jane on God - Veronica Bolay
Crazy Jane on God - Veronica Bolay
View fullsize I AM tired of cursing the Bishop - Mary Burke
I AM tired of cursing the Bishop - Mary Burke
View fullsize I KISSED A STONE   - Breda Burns
I KISSED A STONE - Breda Burns
View fullsize Armoured horse's neigh  - Ian Calder
Armoured horse's neigh - Ian Calder
View fullsize Where the great battle was - Daniel Chester
Where the great battle was - Daniel Chester
View fullsize Between Two States - Nuala Clarke
Between Two States - Nuala Clarke
View fullsize The heroes place of early magic - Eamon Coleman
The heroes place of early magic - Eamon Coleman
View fullsize Heart's pride - Phelim Connolly
Heart's pride - Phelim Connolly
View fullsize For love is but a skein unwound, between the dark and dawn - Mary Cronin
For love is but a skein unwound, between the dark and dawn - Mary Cronin
View fullsize Coxcomb - Aidan Crotty
Coxcomb - Aidan Crotty
View fullsize Arise - Sara Cunningham-Bell
Arise - Sara Cunningham-Bell
View fullsize Crazy Jane on God  - Patricia Curran Mulligan
Crazy Jane on God - Patricia Curran Mulligan
View fullsize The Bishop - Gerry Davis
The Bishop - Gerry Davis
View fullsize Untitled - Micky Donnelly
Untitled - Micky Donnelly
View fullsize All That Storm That Blots the Sky - Miriam Doran
All That Storm That Blots the Sky - Miriam Doran
View fullsize Difficult to proceed   - Mollie Douthit
Difficult to proceed - Mollie Douthit
View fullsize A changing light - Naomi Draper
A changing light - Naomi Draper
View fullsize Naked I lay, The grass my bed  - Susan Dubsky
Naked I lay, The grass my bed - Susan Dubsky
View fullsize Crazy Jane - Joe Dunne
Crazy Jane - Joe Dunne
View fullsize Between the dark and dawn - Catherine Fanning
Between the dark and dawn - Catherine Fanning
View fullsize PROPPED ON MY TWO KNEES, I KISSED A STONE - John Fitzmaurice
PROPPED ON MY TWO KNEES, I KISSED A STONE - John Fitzmaurice
View fullsize It's You My Love You Who are the Stranger - Michael Flaherty
It's You My Love You Who are the Stranger - Michael Flaherty
View fullsize Jane on the Road - Martin Gale
Jane on the Road - Martin Gale
View fullsize I met the Bishop on the road - Brian Gallagher
I met the Bishop on the road - Brian Gallagher
View fullsize Crazy Jane at the lake - Conor Gallagher
Crazy Jane at the lake - Conor Gallagher
View fullsize Floating - Mark Garry
Floating - Mark Garry
View fullsize Bishopric - Medbh Gillard
Bishopric - Medbh Gillard
View fullsize Crazy Jane - Graham Gingles
Crazy Jane - Graham Gingles
View fullsize Me & Crazy Jane - Lisa Gingles
Me & Crazy Jane - Lisa Gingles
View fullsize Crazy Jane sexy sassy bold and ever so pink - Cléa van der Grijn
Crazy Jane sexy sassy bold and ever so pink - Cléa van der Grijn
View fullsize The Poet's mask  - Angela Hackett
The Poet's mask - Angela Hackett
View fullsize A Woman can be proud and stiff when on love intent - Charles Harper
A Woman can be proud and stiff when on love intent - Charles Harper
View fullsize Black Heart to Bishop's Pink (Time lends Transparency) - Annie Harrison
Black Heart to Bishop's Pink (Time lends Transparency) - Annie Harrison
View fullsize Love is but a skein unwound - Bríd Higgins Ni Chinnéide
Love is but a skein unwound - Bríd Higgins Ni Chinnéide
View fullsize At the Oak - Alison Hunter
At the Oak - Alison Hunter
View fullsize Love Unsatisfied - Rebecca Jobson
Love Unsatisfied - Rebecca Jobson
View fullsize Today I met Grace - Josephine Kelly
Today I met Grace - Josephine Kelly
View fullsize MEN COME AND GO - Leonie King
MEN COME AND GO - Leonie King
View fullsize Tone poem ll - Elizabeth Kinsella
Tone poem ll - Elizabeth Kinsella
View fullsize such a dance  - Dorothee Kolle
such a dance - Dorothee Kolle
View fullsize Body and soul - Deborah Lee
Body and soul - Deborah Lee
View fullsize That Shell’s Elaborate Whorl  - Fergus Lyons
That Shell’s Elaborate Whorl - Fergus Lyons
View fullsize I care not what the sailors say - Catherine Mac Conville
I care not what the sailors say - Catherine Mac Conville
View fullsize Desire - Kate Mac Donagh
Desire - Kate Mac Donagh
View fullsize Not so Crazy Jane - Ronan Mac Evilly
Not so Crazy Jane - Ronan Mac Evilly
View fullsize Last night, I lay on the mountain... - Eoin Mac Lochlainn
Last night, I lay on the mountain... - Eoin Mac Lochlainn
View fullsize I met the Bishop on the road and much said he and I - Bernie Masterson
I met the Bishop on the road and much said he and I - Bernie Masterson
View fullsize Jane (Bodyclock) - Brian Mc Donagh
Jane (Bodyclock) - Brian Mc Donagh
View fullsize Crazy Jane talks to the Bishop - Colin Mc Gookin
Crazy Jane talks to the Bishop - Colin Mc Gookin
View fullsize Longing - Margo Mc Nulty
Longing - Margo Mc Nulty
View fullsize The dawning light - Michael Mc Swiney
The dawning light - Michael Mc Swiney
View fullsize Naked I lay, the grass my bed - Catherine Mc Williams
Naked I lay, the grass my bed - Catherine Mc Williams
View fullsize Crazy Jane and the Bishop - Trudie Mooney
Crazy Jane and the Bishop - Trudie Mooney
View fullsize Those aspects of Jane - Billy Moore
Those aspects of Jane - Billy Moore
View fullsize I KISSED A STONE - Paul Murray
I KISSED A STONE - Paul Murray
View fullsize I met the Bishop on the road - Vivien Murray
I met the Bishop on the road - Vivien Murray
View fullsize Body and Soul - Jane Murtagh
Body and Soul - Jane Murtagh
View fullsize Happy Skin - Leonora Neary
Happy Skin - Leonora Neary
View fullsize …every secret track… - Cora O'Brien
…every secret track… - Cora O'Brien
View fullsize "...I kissed a stone..." - Seamus O'Byrne
"...I kissed a stone..." - Seamus O'Byrne
View fullsize Bog Carpet,   'Naked I lay, the grass my bed' - John O'Connor
Bog Carpet, 'Naked I lay, the grass my bed' - John O'Connor
View fullsize Bring me to the blasted oak - Sorca O'Farrell
Bring me to the blasted oak - Sorca O'Farrell
View fullsize Between the Dark and the Dawn - John O'Grady
Between the Dark and the Dawn - John O'Grady
View fullsize Pitching a Mansion - Kevin O'Keeffe
Pitching a Mansion - Kevin O'Keeffe
View fullsize Passing on the road that night - Caitriona O'Leary
Passing on the road that night - Caitriona O'Leary
View fullsize CJ2 (Love leaps upon its course...) - Cormac O'Leary
CJ2 (Love leaps upon its course...) - Cormac O'Leary
View fullsize The Blasted Oak - Geraldine O'Reilly
The Blasted Oak - Geraldine O'Reilly
View fullsize Study after “Going” - Helen O'Toole
Study after “Going” - Helen O'Toole
View fullsize Fair and Foul - Sarah Quick
Fair and Foul - Sarah Quick
View fullsize Journeyman - David Quinn
Journeyman - David Quinn
View fullsize Jane Under the Autograph Tree, Coole - Pádraic Reaney
Jane Under the Autograph Tree, Coole - Pádraic Reaney
View fullsize CJ Dancing…. - Gary Robinson
CJ Dancing…. - Gary Robinson
View fullsize Europa played the fool that changed a lover for a bull - Mary Rohan
Europa played the fool that changed a lover for a bull - Mary Rohan
View fullsize Phaedo - Janet Ross
Phaedo - Janet Ross
View fullsize Crazy Jane - Linda Ruttelynck
Crazy Jane - Linda Ruttelynck
View fullsize Bring me to the blasted oak - Una Sealy
Bring me to the blasted oak - Una Sealy
View fullsize Crazy Jane Talks with the Bishop - Bettina Seitz
Crazy Jane Talks with the Bishop - Bettina Seitz
View fullsize Dent-de-leon - Niall Sheerin
Dent-de-leon - Niall Sheerin
View fullsize Naked I Lay (The Monumental Vulnerability of Exposure) - Emma Stroude
Naked I Lay (The Monumental Vulnerability of Exposure) - Emma Stroude
View fullsize The grass my bed - Marion Thomson
The grass my bed - Marion Thomson
View fullsize Crazy Jane on the Mountain - Mavis Thomson
Crazy Jane on the Mountain - Mavis Thomson
View fullsize Jane's Whorl - Sydney Thomson
Jane's Whorl - Sydney Thomson
View fullsize The Wail of Selfhood - Finally Free! - Lorraine Wall
The Wail of Selfhood - Finally Free! - Lorraine Wall
View fullsize Crazy Jane and the Bishop - Conor Walton
Crazy Jane and the Bishop - Conor Walton
View fullsize Mad Woman's Mountain - Michael Wann
Mad Woman's Mountain - Michael Wann
View fullsize Crazy Jane and oak leaves - Lorna Watkins
Crazy Jane and oak leaves - Lorna Watkins
View fullsize I’m As Sane As You Are - Heidi Wickham
I’m As Sane As You Are - Heidi Wickham
View fullsize Love is like the lion's tooth - Ian Wieczorek
Love is like the lion's tooth - Ian Wieczorek

Introduction

by Professor Sean Golden

Yeats was in his mid-sixties when he wrote the Crazy Jane poems, past being a sixty-year old smiling public man, not yet singing seventy years have I lived … and never have I danced for joy. When he was sixty he had already observed that an aged man is but a paltry thing, a tattered coat upon a stick, unless soul clap its hands and sing, and louder sing for every tatter in its mortal dress. He wrote lo Olivia Shakespear that the Crazy Jane poems are, I think, exciting & strange. Sexual abstinence fed their fire — I was ill & yet full of desire. They sometimes came out of the greatest mental excitement I am capable of. He made John Kinsella lament the loss of Mrs. Mary Moore because none other knows what pleasures man at table or in bed, and wonder, what shall I do for pretty girls now my old bawd is dead? Like Crazy Jane, Mary Moore had stories, though not for the priest's ear, to keep the soul of man alive, banish age and care.

So, in his later years, Yeats discovered that body and soul were not to be separated, the physical world not sublimated into the metaphysical, and found in Crazy Jane a voice to defend everything that began in the foul rag and bone shop of the heart, to insist that Love has pitched his mansion in the place of excrement. This insistence on the physicality of erotic love and its anarchic challenge to institutional orders (the theme of much of Herbert Marcuse’s work) has a long tradition in Irish culture. The figure of the cailleach, and especially the Cailleach Bhéara (done masterfully into English by Eiléan Nií Chuilleanáin) come to mind, and even more so, the Sheela na Gig (echoed explicitly in this exhibition by John Behan and Bernie Masterson). In The Irish Comic Tradition, Vivian Mercier explored the fundamental roles of macabre and grotesque humour in Irish culture, the first as a life-affirming response to death in the form of black humour, the second as a response to the mysteries of the sexual urge. Whether consciously or not, Yeats fit himself into this tradition with the Crazy Jane poems.

Crazy Jane curses and refutes the Bishop, the voice of order; defies him like a Sheela na Gig; rejects his heavenly mansion in in order to pitch Love’s mansion at its source, though it be some foul sty in the Bishop’s eye. Crazy Jane prefers the world of nature, to lay on the mountain, where she kissed a stone, to a disembodied civilisation imposed by the Bishops and the powers they represent. Love has its risks; it may morph into hate, passion into violence. Love is impermanent, is but a skein unwound between the dark and dawn; but a binding skein nonetheless, that makes it worth the while, for the life that it gives for the time being.

The artists in this group exhibition have picked up on all of these themes, each in her or his way and form, finding the figure of Crazy Jane fertile enough to configure fresh works of art, new readings of Yeats.
 

Professor Sean Golden was born of Irish parents in London. Early childhood was spent in Ballina and Ballaghaderreen. Schooled in Connecticut and Massachusetts. Returned to the home place in Ireland to live.Worked some years in Tianjin (China). Before China, a specialist in Irish Studies and James Joyce; after, a specialist in cross-cultural studies, the social history of translation, as well as Chinese thought, politics, and international relations. Divides his time now among Barcelona (Spain), Ballyconnell (Sligo) and Beijing (China). Full professor and Director of the East Asian Studies & Research Centre, Universitat Autònoma de Barcelona, Spain. Co-editor with Peter Fallon of Soft Day: A Miscellany of Contemporary Irish Literature (1980); published in Cyphers, Force 10, The SHOp, The Stinging Fly, and The Cathach. Numerous translations of Chinese poetry, classical and contemporary.