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Hamilton Gallery
  • Home
  • Current Exhibitions
    • Elevation | Conor Gallagher
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These exhibitions are now closed. Please contact the gallery prior to purchasing art from the exhibitions to confirm availability.


Unheard Music

Jonathan Hunter

Mar 6th, 2014 To Mar 29th, 2014

Japanese screen
Japanese screen

Jonathan Hunter
150x150cms
oil on canvas
€5000
 

Painter
Painter

Etching
Jonathan Hunter
20x16cms
€280 framed
 

Veiled landscape
Veiled landscape

Jonathan Hunter
140x120cms
POR
 

shadow birds.
shadow birds.

Jonathan Hunter
oil on canvas
120x100cms
€3500
 

Siesta
Siesta

Jonathan Hunter
colour etching
20x16cm
POR
 

Storm cloud
Storm cloud

Jonathan Hunter
oil on canvas
140x180cms
€5000
 

sleepwalker
sleepwalker

Jonathan Hunter
coloured etching
20x16cms
POR
 

Summer Light
Summer Light

Jonathan Hunter
Oil on canvas
€3000

Conversation
Conversation

Jonathan Hunter
Oil on canvas
€ 600

lakeshore night
lakeshore night

Jonathan Hunter
oils on canvas
70x90cms
POR
 

Unheard Music
Unheard Music

Jonathan Hunter
100x80cm
oil on canvas
€3000
 

Landscape
Landscape

Jonathan Hunter
Oil on Canvas
POR

flower painting
flower painting

Jonathan Hunter
30x25cms.
POR
 

Untitled
Untitled

Jonathan Hunter
DOR
 

Mountain lake
Mountain lake

Jonathan Hunter
40x55cms
monoprint
€380
 

observation point
observation point

Jonathan Hunter
oil on canvas
120x137cms
POR
 

Cloud walking.
Cloud walking.

Jonathan Hunter
40x50cms
oil on canvas
€1500
 

orange garden
orange garden

Jonathan Hunter
120x137cms
Oil on Canvas
POR
 

Further west
Further west

Jonathan Hunter
50x60cms.
POR
 

Phoenix pond
Phoenix pond

Jonathan Hunter
monoprint
40x50cms
POR
 

kicker
kicker

Jonathan Hunter
etching
20x16cms
€280 framed by

Snowline
Snowline

Jonathan Hunter
136x95cms
DOR

Hyacinth
Hyacinth

Jonathan Hunter
oil on canvas
25x30cms
€700
 

Untitled
Untitled

Jonathan Hunter
Oil on canvas
€ 2000

 

Green Gully
Green Gully

Jonathan Hunter
oil on canvas
€1500
 

Rather than reproducing the appearance of a particular place, my intention is to use landscape painting as a medium with which to draw the viewer into a connection with memory. - Jonathan Hunter 2014


Rilke Hymn Boxes + Black Elk Drawings

Marie Foley

Apr 3rd, 2014 To Apr 26th, 2014

With Visible Tracks I am Walking...
With Visible Tracks I am Walking...

Marie Foley
Reeves BFK handmade paper, Ink, Oil Paint, 
Porcelain, Stainless steel bolts` 
70 x 87cm
€1650

With Visible Breath I am Walking
With Visible Breath I am Walking

Marie Foley
Reeves BFK handmade paper, Ink, Oil Paint, 
Porcelain, Stainless steel bolts
70 x 87cm
€1550

 

A Voice I am sending as I Walk
A Voice I am sending as I Walk

Marie Foley
Reeves BFK handmade paper, Ink, Oil Paint, 
Porcelain, Stainless steel.  
59.5 x 42cm
€850

 

Rilke Hymn Box 5 (Open)
Rilke Hymn Box 5 (Open)

Marie Foley
Wood, Metal, Stone    - 
28.5 x 32 x 7.5
€2200

 

Rilke Hymn Box 5 (Open)
Rilke Hymn Box 5 (Open)

Marie Foley
Wood, Metal, Stone    - 
28.5 x 32 x 7.5
€2200

Rilke Hymn Box 5 (Open)
Rilke Hymn Box 5 (Open)

Marie Foley
Wood, Metal, Stone    - 
28.5 x 32 x 7.5
€2200

Rilke Hymn Box 1.Those Mysterious turnings inwards of the Earth
Rilke Hymn Box 1.Those Mysterious turnings inwards of the Earth

Marie Foley
Wood, Porcelain, Ink
40 x 25 x 3.5 cm
€2200

 

Rilke Hymn Box 1.Those Mysterious turnings inwards of the Earth
Rilke Hymn Box 1.Those Mysterious turnings inwards of the Earth

Marie Foley
Wood, Porcelain, Ink
40 x 25 x 3.5 cm
€2200

Rilke Hymn Box 2
Rilke Hymn Box 2

Marie Foley
Wood, Metal, Porcelain, Seeds
28.5 x 23 x 4.5cm
€2500

 

Rilke Hymn Box 2
Rilke Hymn Box 2

Marie Foley
Wood, Metal, Porcelain, Seeds
28.5 x 23 x 4.5cm
€2500

 

Rilke Hymn Box 2
Rilke Hymn Box 2

Marie Foley
Wood, Metal, Porcelain, Seeds
28.5 x 23 x 4.5cm
€2500

Rilke Hymn Box 7
Rilke Hymn Box 7

Marie Foley
Wood, Glass, Stone, Metal - 
18 x 18.5 x 5cm
€2200

 

Rilke Hymn Box 7
Rilke Hymn Box 7

Marie Foley
Wood, Glass, Stone, Metal - 
18 x 18.5 x 5cm
€2200

Rilke Hymn Box 8
Rilke Hymn Box 8

Marie Foley    
Wood, Paint, Porcelain, Metal
35 x 32 x 28.5cm
€2200

 

Rilke Hymn Box 8
Rilke Hymn Box 8

Marie Foley    
Wood, Paint, Porcelain, Metal
35 x 32 x 28.5cm
€2200

Rilke Hymn Box 9
Rilke Hymn Box 9

Marie Foley
Wood, Metal, Porcelain
18.5 x 12.5 x 4cm
€1950
 

Rilke Hymn Box 9
Rilke Hymn Box 9

Marie Foley
Wood, Metal, Porcelain
18.5 x 12.5 x 4cm
€1950

Rilke Hymn Box 11.To keep life Open towards death
Rilke Hymn Box 11.To keep life Open towards death

Marie Foley
Wood, Porcelain, Metal
32 x 24 x 7.5cm
€2100

 

Rilke Hymn Box 11.To keep life Open towards death
Rilke Hymn Box 11.To keep life Open towards death

Marie Foley
Wood, Porcelain, Metal
32 x 24 x 7.5cm
€2100

Rilke Hymn Box 10
Rilke Hymn Box 10

Marie Foley
Wood, Porcelain, Metal
44 x 20.5 x 4 cm
€2100

 

Born in Cork in 1959, she studied Sculpture at the Crawford College of Art in Cork, Goldsmiths College in London and Cardiff College of Art. Awarded an MA and a National Diploma in Art with Distinction. Her sculptures comprises elements which are carved in wood, modelled in porcelain and with additional hand-worked or salvaged elements in metal, stone and glass. Her language is one of symbolic form, form which becomes a vehicle for the spiritual in nature. Her work has been exhibited in solo and group exhibitions in Ireland, England, Wales, France, Spain, Germany, Italy, Holland, Hungary, Poland, Finland, Canada, USA and Japan. She was the first Irish artist to have a solo Exhibition in the Irish Museum of Modern Art. Public commissions include Kilkenny Castle, The Office of Public Works at 51 St Stephen’s Green, a sculpture for National Universities of Ireland presentation to President Mary Robinson, Cothú Awards and Dun Laoghaire-Rathdown County Council. She has received various Arts Council awards. Other awards include an International Ceramic Award, a Canada Council award and The New Horizons Award from the Calouste Gulbenkian Foundation.


Be Still, Life.

Trudie Mooney

May 1st, 2014 To May 31st, 2014

Blue and Cream Vase with Grey Silk
Blue and Cream Vase with Grey Silk

Trudie Mooney
36cmx36cm
Oil on Board
€1950

Blue Vase
Blue Vase

Trudie Mooney
Oil on Board
30cmx25cm
€1500
 

Brown Enamel Pitcher
Brown Enamel Pitcher

Trudie Mooney
18cmx13cm
Oil on board
€1950
 

Brown Jug and White Fabric
Brown Jug and White Fabric

Trudie Mooney
Oil on Board
19 x 14 cm
€700
 

Coffee Pots and Copper Jug
Coffee Pots and Copper Jug

Trudie Mooney
Oil on board        
35 x 45.5 cm            
€2,300
 

Cream Jug
Cream Jug

Trudie Mooney
Oil on board
14 x 18.5 cm
€700

Five Jugs and Lace
Five Jugs and Lace

Trudie Mooney
25 x 50 cm
Oil on Board
€1,950
 

Four Jugs, Two Bottles
Four Jugs, Two Bottles

Trudie Mooney
Oil on Board
30 x 45 cm
€1,950
 

Green Coffee Pot
Green Coffee Pot

Trudie Mooney
Oil on Board
14 x 18.5 cm
€700

Grey Jugs
Grey Jugs

Trudie Mooney    
35 x 46 cm
Oil on Board
€2,300
 

Pink Ribbon
Pink Ribbon

Trudie Mooney
24 x 18.5 cm
Oil on Board
€900
 

String II
String II

Trudie Mooney
37 x 35 cm
Oil on Board
€1,950

Vine Tomatoes
Vine Tomatoes

Trudie Mooney
oil on board
€ 900

Yellow Coffee Pot
Yellow Coffee Pot

Trudie Mooney
31 x 42 cm
Oil on Board
€1,950

‘I have always tried to convey a sense of tranquillity in my paintings using simple jugs, bowls, stoneware and sponge ware of varying shapes and sizes. Through the careful arrangement of objects, draped fabrics a somewhat muted palette, I have sought subtlety and balance. While these aspects are still my primary concern, in the last year I have found myself leaning towards a wider colour range, more detailed designs and patterns and wanting to give a lighter atmosphere to some of the paintings. In others I hope to impart an air of solemnity and quiet acceptance. Above all, I aim for calm, balance and serenity, to be still, life.’ - Trudie Mooney


Hurrah for the flowers of Spring

James McCreary
 

Jun 5th, 2014 To Aug 9th, 2014

And chase the frothy bubbles
And chase the frothy bubbles

James McCreary
Mezzotint and aquatint
4/75
€340f/250uf
 

And wisdom is a butterfly
And wisdom is a butterfly

James McCreary
Mezzotint and aquatint
2/75
€340f/250uf
 

And with her I would fly
And with her I would fly

James McCreary
Mezzotint and aquatint
1/75
 €320f/230uf
 

With her I would go
With her I would go

James McCreary
Mezzotint and aquatint
1/75
€320f/230uf
 

Crocus
Crocus

James McCreary
Mezzotint and aquatint
2/75
€220f/150uf
 

Crocus II
Crocus II

James McCreary
Mezzotint and aquatint
2/75
€220f/150uf
 

Flowers of Spring III
Flowers of Spring III

James McCreary
Mezzotint and aquatint
3/75
€320f/230uf

Flowers of Spring IV
Flowers of Spring IV

James McCreary
Mezzotint and aquatint
3/75
€320f/230uf
 

Iris
Iris

James McCreary
5/75
Mezzotint and aquatint
€250f/170uf

Flowers of Spring I
Flowers of Spring I

James McCreary
Mezzotint and aquatint
4/75
€320f/230uf
 

Flowers of Spring II
Flowers of Spring II

James McCreary
Mezzotint and aquatint
4/75
€320f/230uf

To an Isle in the water
To an Isle in the water

James McCreary
Mezzotint and aquatint
1/75
€320f/250uf

To and fro we leap
To and fro we leap

James McCreary
mezzotint and aquatint
16cm x 17cm
€340f/250uf

We foot it all the night
We foot it all the night

James McCreary
Mezzotint and aquatint
2/75
€365f/285uf

"Hurrah for the flowers of spring... " From the poem Imitated from the Japanese
(page 309, Augustine Martin’s collected poems of W.B. Yeats)

" I've always liked the idea that my images have a certain restlessness about them, a stubborn resistance to pigeon-holing and definition. They exist on the shadowy threshold of things – always on the point of emerging from – or else returning to – the darkness that gives them life. It‘s this quality of tentatively approaching definition, of keeping my work open to multiple interpretations, that gives me the greatest satisfaction and simulates, I hope, a powerful imaginative response. Because that’s what I’m after – art with an immediacy that reaches out to its audience, and only really completes itself in their visceral responses to it. That’s the hope." - James McCreary


Confluence; a merging

Janet Pierce

Jun 5th, 2014 To Aug 9th, 2014

Goa 'd'
Goa 'd'

Janet Pierce
2013
mixed media on handmade paper
36cm x 25cm
€860

Dawn
Dawn

Janet Pierce
2013
mixed media
44cm x 28cm
€2500

Eadhadh 'b'
Eadhadh 'b'

Janet Pierce
2013
mixed media
38m x 57cm
€2000

Goa  9
Goa 9

Janet Pierce
mixed media on handmade paper
50cm x 30.5cm
€2000

Goa  i
Goa i

Janet Pierce
mixed media on handmade paper
53cm x 33cm
€2000

Goa f
Goa f

Janet Pierce
mixed media on handmade paper
50cm x 30cm
€2000

Goa h
Goa h

Janet Pierce
mixed media on handmade paper
50cm x 30cm
€2000

Nidis 'c'
Nidis 'c'

Janet Pierce
mixed media
74cm x 57cm
€3000
 

Nidis 'a'
Nidis 'a'

Janet Pierce
2013
mixed media
74cm x 57cm
€3000

"Trying to connect Ireland and India has been a major concern in my work, as I have lived in both countries for the last 7 yrs. My concerns are to do with spirituality and landscape. I have collaborated with traditional Irish musicians, in the past, and was delighted to know that Sean O’Riada, the Irish composer, said that the way to understand both Irish and Indian music was the same - through the heart. 

Poetry has been a major concern of mine and I have collaborated with the Indian poet Sudeep Sen. Again it was the spirituality and sensuousness in his work that attracted me to work with him. Now I turn my attention to the link between Yeats’s poetry and Vedic spirituality. I am seeking harmony through my work and both Yeats and the ancient Vedas sought peace.

'And I shall have some peace there,
for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings; There midnight's all a-glimmer,
and noon a purple glow,
And evening full of the linnet's wings.'
Yeats

The light in my paintings cannot be grasped, their substance is spiritual light. I feel in Yeats’s poetry there are gaps between description where he leaves only light. A lot of Yeats’s poetry came from the heart, in Indian spirituality is is the heart chakra. Even his romantic poetry has a spiritual, sensousness yearning in it 

'HAD I the heavens’ embroidered cloths,
Enwrought with golden and silver light,
The blue and the dim and the dark cloths
Of night and light and the half light,
I would spread the cloths under your feet:
But I, being poor, have only my dreams;
I have spread my dreams under your feet;
Tread softly because you tread on my dreams.'
Yeats

That is coming from the heart chakra and my paintings and my spiritual light thresholds attempt to be doors into that same heart centre., where all is light." - Janet Pierce


A Natural Selection (Sample Archive)

Graphic Studio Dublin / 100 Invited Artists

Jun 14th, 2014 To Aug 30th, 2014

Buddleia
Buddleia

Sophie Aghajanian
 

Soon, this too will be a memory
Soon, this too will be a memory

Yoko Akino
 

Wisteria Sinensi
Wisteria Sinensi

James Allen

 Fritillaria Imperialis
Fritillaria Imperialis

Anne MAnderson

Arbor
Arbor

Paul Bailey

Lupins
Lupins

Jean Bardon

Catalogue 1
Catalogue 1

Catalogue Pages from "Botanics"

Catalogue 2
Catalogue 2

Catalogue Pages from "Botanics"

Catalogue 3
Catalogue 3

Catalogue Pages from "Botanics"

Catalogue 4
Catalogue 4

Catalogue Pages from "Botanics"

Catalogue 5
Catalogue 5

The National Botanic Gardens were founded in 1795 in a golden age of exploration and scientific discovery. This was a romantic era of plant-hunters who journeyed all over the globe in search of botanical specimens to carry
home for study and cultivation. The naturalist Charles Darwin was one such explorer whose famous voyage on the HMS Beagle led to the publication of On the Origin of Species, a work which radically changed our perception of
the natural world. The term ‘Natural Selection’ was coined by Darwin to describe how natural forms evolve differently in different locations, to suit their specific environments. 

There has always been an important link between botany and the visual arts. From Minoan palaces to 18th Century French Chateaux, the desire to capture botanic images is rooted in antiquity. For over three hundred years printmaking has been an integral part of botanical research and discovery, and vice versa. 

“A Natural Selection” features 100 original fine art prints by 100 artists. This ambitious project has brought together artists from Ireland – North and South, alongside artists from Europe, The Middle East, Far East and the Antipodes. The participating artists considered all aspects of the National Botanic Gardens: the 17,000 different species of cultivated forms within the collection, the natural beauty of the Gardens at Glasnevin and Kilmacurragh, their renowned architectural features such as the spectacular Curvilinear Range of Glasshouses and the Palm House, and their continuing scientific and botanical research work. 

In their different and individual ways the artists have been inspired by and have paid tribute to the richness and diversity of the natural world and to the work of a great institution, one which is filled with treasure, and is a treasure in itself, the National Botanic Gardens.


Wandering Shades (Offsite @ The Factory Performance Space)

Kate MacDonagh

Jul 29th, 2014 To Aug 8th, 2014  

Mask I
Mask I

Kate MacDonagh
Mixed Media
Details on Request
 

Mask II
Mask II

Kate MacDonagh
Mixed Media
Details on Request

Mask III
Mask III

Kate MacDonagh
Mixed Media
Details on Request

Mask IV
Mask IV

Kate MacDonagh
Mixed Media
Details on Request

Mask V
Mask V

Kate MacDonagh
Mixed Media
Details on Request

Mask VI
Mask VI

Kate MacDonagh
Mixed Media
Details on Request

Mask VII
Mask VII

Kate MacDonagh
Mixed Media
Details on Request

Old Man & Sidhe
Old Man & Sidhe

Kate MacDonagh
Mixed media
€650
 

Mask VIII
Mask VIII

Kate MacDonagh
Mixed Media
Details on Request

Wandering Shades I
Wandering Shades I

Kate MacDonagh
Woodblock on Japanese paper
Unique State (A print that is one of a kind)
Signed on back
€350

Wandering Shades II
Wandering Shades II

Kate MacDonagh
Woodblock on Japanese paper
Unique State (A print that is one of a kind)
Signed on back
€350

Wandering Shades III
Wandering Shades III

Kate MacDonagh
Woodblock on Japanese paper
Unique State (A print that is one of a kind)
Signed on back
€350

Wandering Shades IV
Wandering Shades IV

Kate MacDonagh
Woodblock on Japanese paper
Unique State (A print that is one of a kind)
Signed on back
€350

Wandering Shades V
Wandering Shades V
Wandering Shades VI
Wandering Shades VI

Kate MacDonagh
Woodblock on Japanese paper
Unique State (A print that is one of a kind)
Signed on back
€350

Wandering Shades VII
Wandering Shades VII

Kate MacDonagh
Woodblock on Japanese paper
Unique State (A print that is one of a kind)
Signed on back
€350

Mask IX
Mask IX

Kate MacDonagh
Mixed Media
Details on Request

"The work in this exhibition is inspired by the 'dance plays' of W.B. Yeats. These plays were influenced by Japanese Noh Theatre which uses masks, dance and chorus."Yeats used masks to evoke a sense of 'otherness' and to create a more profound connection between the play and the audience. The 'characters' of the masks are ephemeral, they emerge purely out of the process of making them, from the dance with the materials."- Kate MacDonagh


Ground

Helen O Toole
 

Aug 11th, 2014 To Aug 30th, 2014

4th of July I
4th of July I

Helen O'Toole.
14 X 19.3 cm. 
Oil on linen on board
€260

4th of July  III
4th of July III

Helen O'Toole. 
14 X 19.3 cm. 
Oil on linen on board
€260
 

4th of July II
4th of July II

Helen O'Toole.
14 X 19.3 cm. 
Oil on linen on board.
€260

Annunciation
Annunciation

Helen O'Toole
11.1 X 18 cm
Oil on board
€250

Bare Field
Bare Field

Helen O'Toole.
20 X 15cm. 
Oil on Yupo paper
€300

Between
Between

Helen O'Toole.
13.2 X 14.2 cm. 
Oil on linen on board
€260
 

Blue Swamp
Blue Swamp

Helen O'Toole
20.5 X 15.4 cm
Oil on Yupo paper
€300

Bushes
Bushes

Helen O'Toole.
17.9 X 12.8 cm. 
Oil on board
€260

Dream
Dream

Helen O'Toole
15.5 X 15.3 cm. 
Oil on linen on board
€260

Evening Light
Evening Light

Helen O'Toole
19.4 X 14.4  cm. 
Oil on Linen on Board
€260

Gathering
Gathering

Helen O'Toole. 
20 X 15 cm. 
Oil on Yupo paper
€300

Mist
Mist

Helen O'Toole
19.5 X 14.3 cm
Oil on linen on board
€260

Monument
Monument

Helen O'Toole. 
15.3 X 15.4 cm. 
Oil on linen on board
€260
 

Night Lake After Blakelock
Night Lake After Blakelock

Helen O'Toole.
12 X 10.3 cm
Oil on linen on board
€200

Road
Road

Helen O'Toole.
18.9x13.3 cm. 
Oil on collograph print on board
€260

Search
Search

Helen O'Toole
17.7 X 11.1 cm. 
Oil on board
€250

Study for a big painting
Study for a big painting

Helen O'Toole.
20 X 15cm. 
Mixed media on paper.
€200

Tarn
Tarn

Helen O'Toole
19.5X14.4 cm. 
Oil on linen on board
€250

Time
Time

Helen O'Toole. 
17.7 X 12.7 cm. 
Oil on board
€260

Veil. Helen O'Toole. (15.2 X 15.3 cm. Oil on board).jpg
Western Lilt
Western Lilt

Helen O'Toole. 
20 X 15 cm. 
Oil on Yupo paper
€300

"Painting has become a vehicle to begin to articulate the memories of growing up in an unforgiving limestone landscape, and the layers of longing and bittersweet histories. The paintings are built slowly, made in layers, with a similar measure to working the soil, revealing the strata of the bog, negotiating clumsy, crusty limestone fields at a deliberate pace, with the belief that life continues and the work will get done. The nature of my painting is as if reclaiming one of my father’s fields, by stripping it of its limestone heritage, to later cover it with soil, concealing what was, with the optimism of progress and a better future. Through insistent layers of paint that are scraped, pulled, touched, rubbed and felt, I approach a sense of the abyss that is again and again covered up, as if even memory too needs to be evaded, like reality and its representation. Each layer of paint is potent and becomes a means to question what is real and what is not. For me painting has parallels with the literal layers found in nature but more importantly the layers of the rural. The slowness in painting is crucial in order to arrive at a “pitch” or threshold in my work, a prolonged moment, where the vast space of the painting starts to evoke an image with depth and resonance. Unlocking and arriving at a pitch, something perhaps unnamable within the painting and within the self relies on an awareness of how the process and ideas behind the work materialize to form a whole.The process is ruminant like the rural landscape." - Helen O'Toole


Bad flowers, glass birds and other ideas.

Graham Gingles

Sep 4th, 2014 To Sep 27th, 2014

Fleur du Mal II
Fleur du Mal II

Graham Gingles
mixed media box
€4,500  
 

Fleur du Mal II
Fleur du Mal II

Graham Gingles
mixed media box
€4,500  
 

Glass Bird II
Glass Bird II

Graham Gingles
perspex mixed media box    
€1,500
 

Glass Bird II
Glass Bird II

Graham Gingles
perspex mixed media box    
€1,500

Cuba 1
Cuba 1

Graham Gingles
Mixed Media
Dimensions 34 X 51 X 23
€3,000

 

Fleur du Mal I
Fleur du Mal I

Graham Gingles
mixed media box
€4,500

Fleur du Mal I
Fleur du Mal I

Graham Gingles
mixed media box
€4,500
 

Godoy’s Cabinet
Godoy’s Cabinet

Graham Gingles
mixed media box
 €3,500
 

Cuba II
Cuba II

Graham Gingles
Mixed Media
Dimensions 34 X 51 X 23
€3,000

Glass Bird III
Glass Bird III

Graham Gingles
perspex mixed media box
€1,500
 

Glass Bird I
Glass Bird I

Graham Gingles
perspex mixed media box
€1,500

Angel
Angel

Graham Gingles
perspex mixed media box
€3,000
 

"This exhibition includes paintings, drawings and constructions. The constructions are usually wall hanging boxes for which I am better known. The title of the exhibition reflects my concerns and interests at the moment. Of course the other ideas in the title is a way of keeping my options open to develop, explore and experiment serendipitous ideas that might occur during the making of the work." - Graham Gingles


Sublimation

Stephen Lawlor

Oct 2nd, 2014 To Nov 1st, 2014

Archangel
Archangel

Stephen Lawlor
Bronze
24x10x8cm
890.00
 

Armida
Armida

Stephen Lawlor
oil on canvas
€ 2850

Europa
Europa

Stephen Lawlor
Oil-Canvas
25x30cm    
€2,500

Fabled Head
Fabled Head

Stephen Lawlor
Bronze
14x10x9cm
€890.00
 

Gray II
Gray II

Stephen Lawlor
Bronze
12x14x6cm
€780.00

Henry
Henry

Stephen Lawlor
Oil-Canvas
30x25cm
€2,500

Icon II
Icon II

Stephen Lawlor
Oil-Canvas
30x25cm
€2,500

Jerusalem
Jerusalem

Stephen Lawlor
Oil-Canvas
25x30cm
€2,500
 

Judith II
Judith II

Stephen Lawlor
Oil-Canvas
30x25cm
€2,500

Judith I
Judith I

Stephen Lawlor
Oil-Canvas
30x25cm
€2,500
 

Lebanon
Lebanon

Stephen Lawlor
Oil-Canvas
25x30cm
€2,500
 

London I
London I

Stephen Lawlor
Oil-Canvas
50x60cm
€4,200

London II
London II

Stephen Lawlor
Oil-Canvas
46x60cm        
€4,100

Madame
Madame

Stephen Lawlor
Oil-Canvas
38x30cm
€3,200

Madrid
Madrid

Stephen Lawlor
Oil-Canvas
25x30cm
€2,500

Matinee
Matinee

Stephen Lawlor
Oil-Canvas
38x46cm
€3,800

Naples
Naples

Stephen Lawlor
Oil-Canvas
25x30cm
€2,500

Night
Night

Stephen Lawlor
Oil-Canvas
25x30cm
€2,500

Outskirts
Outskirts

Stephen Lawlor
Oil-Canvas
25x30cm
€2,500

Presence I
Presence I

Stephen Lawlor
Bronze
14x13x10cm
€920

Presence II
Presence II

Stephen Lawlor
Bronze
11.5x11x7cm
€890

Presence III
Presence III

Stephen Lawlor
Bronze
11x11x7cm
€890.00

Reims
Reims

Stephen Lawlor
Oil-Canvas
25x30cm
€2,500

Replica 30x25cm Oil on Canvas 2014S.Lawlor.jpg
Salisbury 25x30cm Oil on Canvas 2014 S.Lawlor.jpg
Salzburg 30x38cm Oil on Canvas 2014 S.Lawlor.jpg
Trace
Trace

Stephen Lawlor
Oil-Canvas     
25x30cm        
€2,500

Tuscan
Tuscan

Stephen Lawlor
Oil-Canvas
25x30cm
€2,500

Void
Void

Stephen Lawlor
Oil-Canvas
25x30cm
€2,500

Although these paintings have their origin in European painting from 1300 onwards, the artist approaches such influence from a contemporary perspective. Over many years Stephen Lawlor has explored, dissected and absorbed works by almost all European painters up to the present time and this exhibition is the culmination of many years of intimate engagement with the past. He engages with iconic and also not so well known works. They incorporate and fuse memories but more importantly emotions felt at particular moments that are subtle, indirect, accidental and at times disassociated. They reflect an intangible quality that fuses the physical and emotional act of painting into a distilled moment that passes through time to represent the essence of the emotional impact of the subjects that inspired them.


Hibernoid - selected works

Dermot Seymour

Nov 6th, 2014 To Nov 29th, 2014

Anglo Norman
Anglo Norman

Dermot Seymour
oil on canvas
50cm x60cm
€3600

Fat Eyed
Fat Eyed

Dermot Seymour
oil on canvas
50cm x 40cm
€3000
 

Fish Eyed
Fish Eyed

Dermot Seymour
2009
oil on canvas
61cm x 45cm
€3600

Hiberno God
Hiberno God

Dermot Seymour
oil on canvas
61cm x 51cm
€3600

Hiberno Head by Dermot Seymour.jpg
Hiberno Horse
Hiberno Horse

Dermot Seymour
oil on canvas
168cm x 137cm
€10000
 

Hiberno Man
Hiberno Man

Dermot Seymour
oil on canvas
61cm x 51cm
€ 3600

Hiberno Stroke
Hiberno Stroke

Dermot Seymour
oil on canvas
56cm x 40cm
€3000

Hiberno Woman
Hiberno Woman

Dermot Seymour
oil on canvas
51cm x 61cm
€3600

Nally Eyed
Nally Eyed

Dermot Seymour
oil on canvas
61cm x 51cm
€3600
 

Our Lady of Lourdes Drogheda
Our Lady of Lourdes Drogheda

Dermot Seymour
oil on canvas
61cm x51cm
€3600

Poppy Eyed
Poppy Eyed

Dermot Seymour
2007
oil on canvas
76cm x 122cm
€7,500

Rabbit Eyed
Rabbit Eyed

Dermot Seymour
(2007)            
oil on canvas        
60cm x 50cm        
€ 5,000

Storm Pig
Storm Pig

Dermot Seymour
2008
oil on canvas
122x76cm

"The work is a trip across the forehead of the daft, the absurd, the paradoxical, the sinister and the abandoned." - Dermot Seymour


Invited Artists 2014

Alan Ardiff, Clive Bright, Conor Gallagher, Seamus Gill, Annie Harrison, Vivien Murray, Kate MacDonagh, Brian McDonagh, Leonora Neary, Cormac O’Leary,Michael Wann

Dec 11th, 2014 To Jan 31st, 2015

Hamilton Gallery Invited Artists 2015 (Poster)
Hamilton Gallery Invited Artists 2015 (Poster)