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Hamilton Gallery
  • Home
  • Current Exhibitions
    • Elevation | Conor Gallagher
    • Dawn Gradient | David Smith
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These exhibitions are now closed. Please contact the gallery prior to purchasing art from the exhibitions to confirm availability.


UMMERYROE

John O'Connor

Feb 3rd, 2011 To Feb 26th, 2011

Sligo Landscape
Sligo Landscape

John O'Connor
Medium Oils
Dimensions 62.5 x 80cms
Price €1,500.00

Lane lll.jpg
Lane l
Lane l

John O'Connor
Medium Oils
Dimensions 55 x 64cms
Price €950.00

Bog Pool
Bog Pool

John O'Connor
Medium Acrylics
Dimensions 40 x 36 cms
Price €650.00

Copper Lane
Copper Lane

John O'Connor
Medium Oils
Dimensions 25.5 x 31cms
Price €700.00

Hearthstone l
Hearthstone l

By John O'Connor
Medium Oils
Dimensions 42 x 52.5 cms
Price €700.00

White Enamel Bucket
White Enamel Bucket

John O'Connor
oil on canvas
49 x 50cm
 

Basement Gallery
Basement Gallery

John O'Connor

Basement Gallery
Basement Gallery

John O'Connor

Untitled
Untitled

John O'Connor

"My work is rooted in the town land of Ummeryroe, my mothers birthplace in county Sligo. Ummeryroe derives from the gaelic, iomaire rua , meaning red ridge. Red clay can still be found on the land.

I spent many summers there in childhood. A winding lane with high banks full of wild flowers and grasses led into my grandparents house. The comings and goings along this path were always full of expectation. I have made a series of paintings based on the lane on copper. I found the paint stood out on the surface and any mark made by hand was visable.
Bogland lies nearby and paintings of bog cotton on canvas were made as a series also.

I have re-visited the land in recent years and made paintings and drawings. Farm implements, sickle, pitchfork, potatoe-sprayer have inspired paintings and prints in the studio. A knitted cushion cover made by my grandmother on a sack used to contain chicken feed knitted itself into several large paintings. Painting the cross-stitch patterned coloured cover linked me with my past and to a time when life was simpler and hand craft like knitting was commonplace.

I have made paintings on old floorboards, where the marks of nails and time still exist. Memory plays a part. Paintings of white enamel buckets, hearthstone, wash-stone, all tell a story which is embedded in my mind." - John O'Connor
 


New and Selected Works

Barrie Cooke

Mar 3rd, 2011 To Apr 2nd, 2011



 

Buffalo l Kruger
Buffalo l Kruger

Barrie Cooke
watercolour on paper
€1750
 

Dermot Healy l
Dermot Healy l

Barrie Cooke
oil on canvas
€5500

Dermot Healy ll
Dermot Healy ll

Barrie Cooke
oil on canvas
€5500

Didymosphenia
Didymosphenia

Barrie Cooke
oil on canvas
25 x 30 cms unframed
€3000

Great White Shark l SA
Great White Shark l SA

Barrie Cooke
watercolour on paper
54 x 45 framed
€1750

Great White Shark ll SA
Great White Shark ll SA

Barrie Cooke
watercolour on paper
€1750
 

Loop Head lll
Loop Head lll

Barrie Cooke
oil on canvas
 

Loop Head lV
Loop Head lV

Barrie Cooke
oil on canvas
 

Loop Head V
Loop Head V

Barrie Cooke
watercolour on paper
 

Nude 34 of 40
Nude 34 of 40

Barrie Cooke
 

Pauls Island on Lough Arrow in Summer 2000
Pauls Island on Lough Arrow in Summer 2000

Barrie Cooke
oil on board
 

Punakaiki 64 of 75
Punakaiki 64 of 75

Barrie Cooke
 

Rocks Cape Cod
Rocks Cape Cod

Barrie Cooke
oil on canvas
 

Sea & Rocks
Sea & Rocks

Barrie Cooke
oil on board
 

Seapoint ll SA
Seapoint ll SA

Barrie Cooke
watercolour
 

Springbok l Kruger SA
Springbok l Kruger SA

Barrie Cooke
watercolour
 

Stag 39 of 40
Stag 39 of 40

Barrie Cooke
 

Striper II 66 of 75
Striper II 66 of 75

Barrie Cooke

Striper l
Striper l

Barrie Cooke
 

Upper Matura River
Upper Matura River

Barrie Cooke
oil on canvas
 

Barrie Cooke RHA, began his 81st year with this exhibition of personally selected works, spanning the last decade, at the Hamilton Gallery. The works on exhibition included watercolours and oil paintings from Cookes travels to New Zealand and South Africa. Selected works include two portraits of Sligo author Dermot Healy and paintings from Cill Rialaig, Lough Arrow and Knocknarea. The artist also selected a series of lithographs for the exhibition.

In the words of Nobel Laureate and fellow Aosdana member Seamus Heaney ‘Much of his art has exhibited the fluency and first-handedness of cave art, combining the now of perception with the then of fulfilment. Whether he is painting a nude in a landscape or water-hurry in a river, whether it is an elk with horns full of galactic light or a tench-lake sluggish with lilies and twilight, there is something at once erotic and absorbed in the pursuit.’

Barrie Cooke has exhibited widely throughout Europe, the US and Canada. Major retrospectives include shows in the Douglas Hyde Gallery, Dublin in 1986, the Haags Gemeentemuseum, The Hague in 1992, and LAC, Perpignan, France in 1995, and the Royal Hibernian Academy Gallery, Dublin in 2003 His work is represented in the collections of the Irish Museum of Modern Art, the Ulster Museum, the Stedelijk Museum, Amsterdam, the Haags Gemeentemuseum and in many other public and private collections worldwide.


Shades of Light

Grainne Cuffe & Ruth O'Donnell

Apr 7th, 2011 To Apr 30th, 2011

Delphinium II
Delphinium II

Grainne Cuffe
 

Dianthus I
Dianthus I

Grainne Cuffe
 

Dianthus II
Dianthus II

Grainne Cuffe
 

Nightingale and rose 1
Nightingale and rose 1

Ruth O'Donnell

Dianthus III
Dianthus III

Grainne Cuffe
 

nightingale and rose 2
nightingale and rose 2

Ruth O'Donnell

Dianthus IV
Dianthus IV

Grainne Cuffe
 

nightingale and rose 3
nightingale and rose 3

Ruth O'Donnell

Dianthus V
Dianthus V

Grainne Cuffe
 

nightingale and rose 4
nightingale and rose 4

Ruth O'Donnell

Hellebores Pink
Hellebores Pink

Grainne Cuffe
 

nightingale and rose 5
nightingale and rose 5

Ruth O'Donnell

nightingale and rose 6
nightingale and rose 6

Ruth O'Donnell

Points of View 1
Points of View 1

Ruth O'Donnell

points of view II
points of view II

Ruth O'Donnell

points of view III
points of view III

Ruth O'Donnell

sightings 1
sightings 1

Ruth O'Donnell

sightings 2
sightings 2

Ruth O'Donnell

sightings 3
sightings 3

Ruth O'Donnell

sightings 4
sightings 4

Ruth O'Donnell

sightings 6
sightings 6

Ruth O'Donnell

sightings 5
sightings 5

Ruthe O'Donnell

The Nightingale and the Rose is a frequent lyrical theme in Iranian decorative art of the 18th and 19th centuries. Ruth O’Donnell is fascinated by the way deep truths are traditionally dealt with so lightly by decorative art of this era. Taking the 12th century Sufi narrative poem The Conference of the Birds as a starting point, O’Donnell has explored the communication of these ideas through a series of suites of prints with related bird motifs.  


Though not strictly botanical, Grainne Cuffe’s delicately balanced work takes it’s inspiration from the floral. There is strong reference to the pigmentation of petals, lending vitality to the colour in her etchings. Compositionally, balancing the square is a preoccupation in her work, while Cuffe’s use of scale gives a sense of expansive optimism to the larger prints.
 


NEW WORKS

Felim Egan
May 5th, 2011 To May 28th, 2011

Awakenings
Awakenings

Felim Egan
7cX76cm
Acrylic/mixed media on linen
€8,250

Dawn Rising
Dawn Rising

Felim Egan
Acrylic/mixed media on linen
€12,000

Desert Strand
Desert Strand

Felim Egan
92X92cm
Acrylic/mixed media on linen
€10,500

Docklands 'a'
Docklands 'a'

Felim Egan
Watercolour on handmade Hahnemuhle paper
€2,100

Docklands 'b'
Docklands 'b'

Felim Egan
Watercolour on handmade Hahnemuhle paper
€2,100

Docklands 'c'
Docklands 'c'

Felim Egan
Watercolour on handmade Hahnemuhle paper
€ 2,100

Docklands 'd'
Docklands 'd'

Felim Egan
Watercolour on handmade Hahnemuhle paper
€ 2,100

Docklands 'e'
Docklands 'e'

Felim Egan
Watercolour on handmade Hahnemuhle paper
€2,100

Docklands 'f'
Docklands 'f'

Felim Egan
Watercolour on handmade Hahnemuhle paper
€2,100

Dusk Landing
Dusk Landing

Felim Egan
76x76cm
Acrylic/mixed media on linen
€8,250

Eastern Dusk
Eastern Dusk

Felim Egan
140x140cm
Acrylic/mixed media on linen
€16,500

Eclipse
Eclipse

Felim Egan
76x76cm
Acrylic/mixed media on linen
€8,250

Long Meadow
Long Meadow

Felim Egan
76x76cm
Acrylic/mixed media on linen
€8,250

Orange Fielding
Orange Fielding

Felim Egan
76x76cm
Acrylic/mixed media on linen
€8,250

Pink Dawning
Pink Dawning

Felim Egan
92x92cm
Acrylic/mixed media on linen
€10,500

Red Descending
Red Descending

Felim Egan
76x76cm
Acrylic/mixed media on linen
€8,250

Settings with Reds
Settings with Reds

Felim Egan
92x92cm
Acrylic/mixed media on linen
€10,500

Soul Box 1
Soul Box 1

Felim Egan
Acrylic/mixed media on wood
€2,950

Soul Box '2'
Soul Box '2'

Felim Egan
Acrylic/mixed media on wood
€2,950

Soul Box '3
Soul Box '3

Felim Egan
Acrylic/mixed media on wood
€2,950

Soul Box '6'
Soul Box '6'

Felim Egan
Acrylic/mixed media on wood
€2,950

Soul Box '7'
Soul Box '7'

Felim Egan
Acrylic/mixed media on wood
€2,950

Soul Box '8'
Soul Box '8'

Felim Egan
Acrylic/mixed media on wood
€2,950

South Sea Blue
South Sea Blue

Felim Egan
92x92cm
Acrylic/mixed media on linen
€10,500

South Sea Green
South Sea Green

Felim Egan
92x92cm
Acrylic/mixed media on linen
€10,500

Strand walk 09
Strand walk 09

Felim Egan
76x76cm
Acrylic/mixed media on linen
€8,250

 

Night Deep
Night Deep

Felim Egan
76x76cm
 

Felim Egan's paintings are built up slowly with layers of thin colour applied to the canvas, and stone powder ground into the acrylic. He is known as a painter of restrained eloquence, who sparingly deploys a vocabulary of hieroglyphic motifs over monochromatic expanses of colour. His paintings are built up slowly with layers of thin colour applied to the surface and stone powder ground into the acrylic. The work is universal in spirit and at the same time emotionally intimate. His paintings are epiphanic, in that they convey to us the essential nature or meaning of something of which we were previously unaware. He is an abstract artist, a painter of quite formal abstract images, and yet his work is tied to the place he lives and works, to the long horizons, big skies and empty sands of the Strand and sea. In this way his abstract paintings are almost landscapes, with a magical quality that his neighbour, the poet Seamus Heaney, has aptly described “ a balance of shifting brilliances”.

He represented Ireland at the Paris Biennale in 1980 and the Sao Paulo Bienal in 1985, and has had more than 50 solo exhibitions across Europe and the USA since 1979. Major exhibitions of his work were held at the Whitworth Art Gallery, Manchester and the Irish Museum of Modern Art, Dublin in 1995-96, and at the Stedelijk Museum, Amsterdam in 1999. Large-scale commissions include works for Dublin Castle, Temple Bar Properties, the National Gallery of Ireland, City Quay, Dublin, Cork Street, Dublin, and New Providence Wharf, London. In 1993 he won the Premier UNESCO Prize for the Arts in Paris, and he received the Gold Award at Cagnes-sur-Mer in 1997. His work is held in numerous collections including the Metropolitan Museum of Art, New York; New York City Public Library; Irish Museum of Modern Art; Municipal Gallery of Modern Art, Dublin; Ulster Museum, Belfast; Deutsche Bank, London; Scottish National Gallery of Modern Art, Edinburgh; Stedelijk Museum, Amsterdam; and the European Parliament. He is represented in Ireland by the Kerlin Gallery.


NEW WORKS

Jane O'Malley

Jun 2nd 2011 To Jul 2nd, 2011

Yellow spotted Jug
Yellow spotted Jug

Jane O'Malley
2009
gouache, acrylic & collage
14" x 10"
€850

 

 

The black spotted jug
The black spotted jug

Jane O'Malley
2007
gouache, acrylic & collage
15" x 11"
€950

Still Life - La Geria
Still Life - La Geria

Jane O'Malley
2009
gouache & acrylic
14" x 10" 
€850

Still Life - La Geria with evening flight
Still Life - La Geria with evening flight

Jane O'Malley
2010
gouache, acrylic & gesso
14" x 10"
€850

Orange Jug
Orange Jug

Jane O'Malley

Still Life - La Geria 2
Still Life - La Geria 2

Jane O'Malley
2009
gouache, acrylic & collage
10" x 14"
€850

Jane O'Malley was born in Montreal. In 1973 she married artist Tony O'Malley and lived in St. Ives, Cornwall, until 1990, when they then moved permanently to Ireland. On working holidays they travelled to the Isles of Scilly, the Bahamas, and the Canary Islands. Inspiration for her work comes from these landscapes, and the objects she has collected on her travels: native jugs and vases, a carved spoon, fruit from the garden. These are then distilled and arranged, giving them a simple presence and the weight of accumulated memory.


SPATIAL RECONSTRUCTION

Vanya Lambrecht Ward

Jul 7th 2011 To Jul 30th, 2011

Annex
Annex

Vanya Lambrecht-Ward

Kitchenette
Kitchenette

Vanya Lambrecht-Ward

Mixed media on paper (framed)

€500

Hide Out
Hide Out

Vanya Lambrecht-Ward

Mixed media on MDF

€500

A Half Landing
A Half Landing

Vanya Lambrecht-Ward

Mixed media on wood

€500

Hang Out
Hang Out

Vanya Lambrecht-Ward

Mixed media on wood

€500

The Laundry Room
The Laundry Room

Vanya Lambrecht-Ward 

Mixed media on wood 

NFS

The Master Bedroom
The Master Bedroom

Vanya Lambrecht-Ward

Mixed media on wood 

€500

Untitled Edge
Untitled Edge

Vanya Lambrecht Ward
Medium Sculpture
Dimensions 18.5 x 36 x 5.5 cm
Price €600.00

Untitled (Tripod)
Untitled (Tripod)

Vanya Lambrecht-Ward

Mixed media sculpture

€750

Untitled (Fragments)
Untitled (Fragments)

Vanya Lambrecht-Ward

'Every vision takes place somewhere in the tactile space. There is double and crossed situating of the visible in the tangible and of the tangible in the visible; the two maps are complete, and yet they do not merge into one. The two parts are total parts and yet are not super-imposable.' Maurice Merleau-Ponty

Vanya Lambrecht-Ward's work grapples with the idea of dwelling and our relationship with space. Between the ocular and the tactile experience, between the flat and the spatial, the work attempts to return this space from the visual to the physical. Photography - a way of collecting and even hoarding space (in combination with pencil and paint), deconstructs and destructs these environments to create re-assembled spaces. 

The photograph as a non-truth - rather than the perceived verisimilitude of the photographic image, is a constant dominating factor in Vanya's work. The physical experience of the built space rather than its measured reality, and the work as an object itself, contribute to a re-examining of the mediums of photography and painting.


NEW WORKS

Gwen O'Dowd


Aug 4th, 2011 To Aug 27th, 2011

'SEA 5'
'SEA 5'

Gwen O'Dowd
oil on canvas
120cmsx100cms
€7,000
 

SEA 6
SEA 6

Gwen O'Dowd
oil on canvas
120cmsx100cm
s€7,000

SEA 9
SEA 9

Gwen O'Dowd
oil on canvas
100cmsx120cms
€7,000
 

' sea ' 10 copy.jpg
SEA 22
SEA 22

Gwen O'Dowd
oil on paper
30cmsx41cms
€1,200
 

SEA 25
SEA 25

Gwen O'Dowd
oil on paper
30cmsx41cms
€1,200

SEA 26
SEA 26

Gwen O'Dowd
oil on paper
30cmsx41cms
€1,200

SEA 30
SEA 30

Gwen O'Dowd
oil on paper
30cmsx41cms
€1,200

SEA 35
SEA 35


Gwen O'Dowd
oil on paper
30cmsx41cms
€1,200
 

SEA 38
SEA 38

Gwen O'Dowd
oil on paper
30cmsx41cms
€1,200

SEA 7
SEA 7

Gwen O'Dowd
oil on canvas
100cmsx120cms
€7,000
 

SEA 18
SEA 18

Gwen O'Dowd
oil on paper
30cmsx41cms
€1,200
 

Waterbased 22 by Gwe ODowd.JPG
Waterbased 30
Waterbased 30

Gwen O'Dowd
oil on canvas
30cmsx20cms
€600
 

Waterbased 19
Waterbased 19

Gwen O'Dowd
oil on canvas
30cmsx20cms
€600
 

Waterbased 1
Waterbased 1

Gwen O'Dowd
oil on canvas
30cmsx20cms
€600
 

Waterbased 20
Waterbased 20

Gwen O'Dowd
oil on canvas
30cmsx20cms
€600
 

Water Colour 2
Water Colour 2

Gwen O'Dowd
w/c on paper
34cmsx25cms
€850
 

Water Colour 3
Water Colour 3

Gwen O'Dowd
w/c on paper
34cmsx25cms
€850
 

Water Colour 7
Water Colour 7

Gwen O'Dowd
w/c on paper
23cmsx31cms
€650
 

Water Colour 8
Water Colour 8

Gwen O'Dowd
w/c on paper
25cmsx34cms
€850
 

 Wave 4
Wave 4

Gwen O'Dowd
oil on canvas
120cmsx150cms
€8,500
 

 

Long associated with a unique interpretation and exploration of our land and coastline, Gwen O’Dowd, Aosdana, focuses here on the restless energy of the sea.  This exhibition comprises a new series of paintings that sees this artist working in exuberant form.  Wonderful, joyful and powerful, this new body of work captures the rhythm and magnificence of the ocean.


New & Selected Works

John Behan

Sep 1st, 2011 To Oct 1st, 2011

Cockerel
Cockerel

John Behan
Bronze
Unique
 

Wounded Bull
Wounded Bull

John Behan
bronze
unique
€5000
 

Crow
Crow

John Behan
Bronze, Unique
38x46x51
€6,000
 

Family Group
Family Group

John Behan
Bronze, Unique
27x29x17cm
€4,000
 

Fiddler
Fiddler

John Behan
Bronze, Unique
40x29x16cm
€4,000
 

Flight of Earls Caravelle
Flight of Earls Caravelle


John Behan
Bronze, Unique
80x60x22cm
€9,500
 

Kerala Fishers
Kerala Fishers

John Behan                                       
Bronze, Unique
47x59x33cm               
€6,800
 

Mother & Child in Chair
Mother & Child in Chair

John Behan
Bronze, Unique                       
30x21x18                
€3,500
 

Oisin Falls from his Horse
Oisin Falls from his Horse

Bronze, Unique
51x40x40cm
€5,000
 

Sailing to Byzantium
Sailing to Byzantium

John Behan
Bronze, Unique
48x41x23
 €5,000
 

 

"My art is related to ancient culture as well as to modern technique. I feel that every artist, be they poet or writer or sculptor or painter, must have roots, roots that will tap into the ground. It's not to say that you don't live in the modern world - I use all the technology that I possibly can to express myself, I am very aware of what's going on in terms of technical innovation - but in terms of Irish art, we have had a gap between the Middle Ages and the 20th Century when no visual art was produced. So I had to go back: the future was in the past, if you like.

The Renaissance wasn't experienced in Ireland. So I felt I had to rediscover things and deal with them and bring them forward. I've also had a good look at the Classical civilisations - Greek and Roman, particularly the Greek - and that has had a huge impact on my recent work.

You have to deal with that; I think anybody with an Irish background does. Art must have a basis - if it takes it from other cultures that's fine, if it takes from its own culture that is also fine. What I have done is I have tried to combine all these different elements to find a solution for my own problems." -John Behan


NEW WORKS

Geraldine O'Reilly

Oct 6th, 2011 To Oct 29th, 2011

Late Evening with Oncoming Car
Late Evening with Oncoming Car

Late Evening with Oncoming CarGeraldine O'Reilly
Watercolour
Dimensions 40 cm wide x 38.5cm
Price €950.00

Before the Arrival of Snow at Annascannan
Before the Arrival of Snow at Annascannan

By Geraldine O'Reilly
Medium Watercolour
Dimensions 40 cm wide x 38.5cm
Price €950.00

The Back of Cunningham’s Pub
The Back of Cunningham’s Pub

Geraldine O'Reilly
Medium Watercolour
Dimensions 40 cm wide x 38.5cm
Price €950.00

Royal Canal and Road into Annascannan
Royal Canal and Road into Annascannan

By Geraldine O'Reilly
Medium Watercolour
Dimensions 40 cm wide x 38.5cm
Price €950.00

Grey Winter Day Below Darcy’s Bridge
Grey Winter Day Below Darcy’s Bridge

By Geraldine O'Reilly
Medium Watercolour
Dimensions 40 cm wide x 38.5cm
Price €950.00

Maher’s Cowshed on the Banks of the Royal Canal
Maher’s Cowshed on the Banks of the Royal Canal

By Geraldine O'Reilly
Medium Watercolour
Dimensions 40 cm wide x 38.5cm
Price €950.00

Royal Canal at Hyde Park
Royal Canal at Hyde Park

By Geraldine O'Reilly
Medium Watercolour
Dimensions 40 cm wide x 38.5cm
Price €950.00

Late Evening Beyond Footie’s Bridge
Late Evening Beyond Footie’s Bridge

By Geraldine O'Reilly
Medium Watercolour
Dimensions 40 cm wide x 38.5cm
Price €950.00

Road and Canal Intersect
Road and Canal Intersect

By Geraldine O'Reilly
Medium Watercolour
Dimensions 40 cm wide x 38.5cm
Price €950.00

Lock 24 towards 25 in Late Evening
Lock 24 towards 25 in Late Evening

By Geraldine O'Reilly
Medium Watercolour
Dimensions 40 cm wide x 38.5cm
Price €950.00

Untitled 1
Untitled 1

By Geraldine O'Reilly
Medium Watercolour
Dimensions 40 cm wide x 38.5cm
Price €950.00

Untitled  2
Untitled 2

By Geraldine O'Reilly
Medium Watercolour
Dimensions 40 cm wide x 38.5cm
Price €950.00

Untitled 3
Untitled 3

By Geraldine O'Reilly
Medium Watercolour
Dimensions 40 cm wide x 38.5cm
Price €950.00

Trees Reflected at Lock 24
Trees Reflected at Lock 24

By Geraldine O'Reilly
Medium Watercolour
Dimensions 40 cm wide x 38.5cm
Price €950.00

Untitled 4
Untitled 4

By Geraldine O'Reilly
Medium Watercolour
Dimensions 40 cm wide x 38.5cm
Price €950.00

Untitled 5
Untitled 5

By Geraldine O'Reilly
Medium Watercolour
Dimensions 40 cm wide x 38.5cm
Price €950.00

Red Car, Maher's Farm
Red Car, Maher's Farm

By Geraldine O'Reilly
Medium Watercolour
Dimensions 40 cm wide x 38.5cm
Price €950.00

Clouds at Lock 24
Clouds at Lock 24

By Geraldine O'Reilly
Medium Watercolour
Dimensions 40 cm wide x 38.5cm
Price €950.00

The Back of Cunninghams Pub, Summer
The Back of Cunninghams Pub, Summer

By Geraldine O'Reilly
Medium Watercolour
Dimensions 40 cm wide x 38.5cm
Price €950.00

Greville's Mobile Home on the banks of the Royal Canal
Greville's Mobile Home on the banks of the Royal Canal

By Geraldine O'Reilly
Medium Watercolour
Dimensions 40 cm wide x 38.5cm
Price €950.00

Untitled 6
Untitled 6

By Geraldine O'Reilly
Medium Watercolour
Dimensions 40 cm wide x 38.5cm
Price €950.00

Untitled 7
Untitled 7

By Geraldine O'Reilly
Medium Watercolour
Dimensions 40 cm wide x 38.5cm
Price €950.00

"My work relates to landscape in one way or another.  I’m either working directly outdoors painting or drawing or I’m extracting ideas and stories from researches relatingto a particular landscape. Over the years I’ve noticed my artwork always has a narrative of sorts and I like to think that the narrative is the line I peg the images on.  Based on my almost daily walks on the banks of the Royal Canal I’ve developed a fascination on how this failed mode of transportation now fits as if it is a naturally occurring waterway in the landscape. Over time it has converted its bank’s into a vast nature reserve and a walker’s paradise.  It opens up the closed midland landscape in a way never intended.

It is this ‘constructed landscape’ that I’m exploring in order to create a number of series of new artwork for this exhibition." -Geraldine O'Reilly.

Geraldine O’Reilly works in the medium of painting, drawing, print making and photography. She has had many solo exhibitions as well as participating in hundreds of group exhibitions. Her work is represented in many public and private collections. In 2004 she was elected a member of Aosdana. She is a former chairperson of the Graphic Studio Dublin. She lives and works in County Westmeath.


Bronze Sculpture and Fine Art Priints

Leo Higgins & James McCreary

Nov 3rd, 2011 To Nov 26th, 2011

Birds and Trees
Birds and Trees

Leo Higgins
bronze, unique
€1800

Autumn  Leaves  lll
Autumn Leaves lll

James McCreary
9/150
Mezzotint and Aquatint
€310

Bird at Glendalough
Bird at Glendalough

By Leo Higgins
Medium Sculpture
Dimensions 40x40x20
Price €1,800

Autumn Leaves ll
Autumn Leaves ll

James McCreary
27/150
Mezzotint and Aquatint
€310

Mountain Bird
Mountain Bird

Leo Higgins
bronze, unique
€2000
 

Cul de Sac
Cul de Sac

By James McCreary
Medium Fine Art Print
Dimensions 15cm x 20cm
Price €310.00

Forest
Forest

James McCreary
l 8/250
Mezzotint and Aquatint
€200

Bird and Fence
Bird and Fence

Leo Higgins
bronze edition of 3
€900
 

Forest ll
Forest ll

James McCreary
 1/220
Mezzotint and Aquatint
€240

Early Morning Bird
Early Morning Bird

Leo Higgins
bronze, unique
€800
 

Forest VI
Forest VI

James McCreary
Mezzotint and Aquatint

Forest XVl
Forest XVl

James McCreary
Mezzotint and Aquatint
€450
 

Forest XVlll
Forest XVlll

James McCreary
1/65
Mezzotint and Aquatint
€240
 

The Forest
The Forest

James McCreary
6/75
Mezzotint and Aquatint
€390

Bird and Tree
Bird and Tree

Leo Higgins
bronze, unique
€4000
 

Headland
Headland

By James McCreary
Medium Fine Art Print
Dimensions 110x180cm
Price €310.00

Lake, Fields & Forest
Lake, Fields & Forest

James McCreary
32/325
Mezzotint and Aquatint
€310
 

October Moon
October Moon

James McCreary
4/150
Mezzotint and Aquatint
€310
 

Tulip & Crescent Moon
Tulip & Crescent Moon

James McCreary
6/150
Mezzotint and Aquatint
€310
 

Leo Higgins lectures at The National College of Art and Design and is a Director of CAST Bronze Foundry in Dublin.  Winner of the Oireachtas Prize for sculpture in 1984 and 1985, Higgins has exhibited in solo and group exhibitions throughout Ireland.

“James McCreary, Aosdana, possesses all the obsessiveness of the practising printmaker.  Using mezzotint, he rhythmically generates tight, abstracted views…mostly in a letterbox format – when he increases the vertical proportion of the plane, it’s as if he’s opened the front door.” Aidan Dunne