Lapis Lazuli

22 artists respond to the iconic poem by W B Yeats 

First Exhibited Hamilton Gallery Sligo May 21st - June 24th 2022

 Exhibiting at Choi Centre Cloud House Beijing China June 13th - July 4th 2024

Hamilton Gallery’s 9th annual invited artists exhibition themed around an iconic poem by W B Yeats.

(Lapis Lazuli poem is shared below following the exhibition artworks)

Revised Catalogue for the Exhibition in Bejing, China, June 2024

Lapis Lazuli

By William Butler Yeats

(for Harry Clifton)

I have heard that hysterical women say

They are sick of the palette and fiddle-bow,

Of poets that are always gay,

For everybody knows or else should know

That if nothing drastic is done

Aeroplane and Zeppelin will come out,

Pitch like King Billy bomb-balls in

Until the town lie beaten flat.

All perform their tragic play,

There struts Hamlet, there is Lear,

That's Ophelia, that Cordelia;

Yet they, should the last scene be there,

The great stage curtain about to drop,

If worthy their prominent part in the play,

Do not break up their lines to weep.

They know that Hamlet and Lear are gay;

Gaiety transfiguring all that dread.

All men have aimed at, found and lost;

Black out; Heaven blazing into the head:

Tragedy wrought to its uttermost.

Though Hamlet rambles and Lear rages,

And all the drop scenes drop at once

Upon a hundred thousand stages,

It cannot grow by an inch or an ounce.

On their own feet they came, or on shipboard,

Camel-back, horse-back, ass-back, mule-back,

Old civilisations put to the sword.

Then they and their wisdom went to rack:

No handiwork of Callimachus

Who handled marble as if it were bronze,

Made draperies that seemed to rise

When sea-wind swept the corner, stands;

His long lamp chimney shaped like the stem

Of a slender palm, stood but a day;

All things fall and are built again

And those that build them again are gay.

Two Chinamen, behind them a third,

Are carved in Lapis Lazuli,

Over them flies a long-legged bird

A symbol of longevity;

The third, doubtless a serving-man,

Carries a musical instrument.

Every discolouration of the stone,

Every accidental crack or dent

Seems a water-course or an avalanche,

Or lofty slope where it still snows

Though doubtless plum or cherry-branch

Sweetens the little half-way house

Those Chinamen climb towards, and I

Delight to imagine them seated there;

There, on the mountain and the sky,

On all the tragic scene they stare.

One asks for mournful melodies;

Accomplished fingers begin to play.

Their eyes mid many wrinkles, their eyes,

Their ancient, glittering eyes, are gay.