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Hamilton Gallery
  • Home
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    • Elevation | Conor Gallagher
    • Dawn Gradient | David Smith
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Ancestral Houses


A short film made to coincide with the opening of “Ancestral Houses” in Beijing. Filmed by Peter Martin. Special thanks to Temple House, Department of Foreign Affairs Ireland, Embassy of Ireland to China, and the family of W B Yeats.


Ancestral Houses

This is Hamilton Gallery’s seventh invited artists exhibition which thematically draws upon a major poem by W B Yeats and set against the backdrop of Irelands Decade of Commemoration.

The exhibitions are in complement to the work of the Yeats Society who run the Yeats International Summer School, Yeats Day and #YeatsDay

The exhibition also formed part of Sligo’s Tread Softly… festival programme in 2021 and from June 2023, is being shown in several cities in China as part of the cultural programming of Irelands Embassy in Beijing.

The exhibition comprises an individual work from each of 125 invited artists.

Click

HERE

to see our new blog page

on the opening reception at

LolliGo Arts Space, Beijing

on June 13th 2023.


The Exhibition

Featured
Akino, Yoko - A glittering sword out of the east
Akino, Yoko - A glittering sword out of the east
€460.00

acrylic and palladium leaf

30cm x 30cm x 2cm

unframed

Berntsson, Petra - 'Mere Dreams
Berntsson, Petra - 'Mere Dreams
€420.00

oil on canvas

30cm x 30cm x 2cm

unframed

Bodeker, Olive - "An ancient bridge, and a more ancient tower" - Thoor Ballylee
Sold / No Longer Available
Bodeker, Olive - "An ancient bridge, and a more ancient tower" - Thoor Ballylee
€475.00

oil on canvas

30cm x 30cm x 2cm

unframed

de Brí, Orla - 'The Stare's Nest'
de Brí, Orla - 'The Stare's Nest'
€3,900.00

bronze

unique

30cm x 30cm x 2cm

unframed

Brooks, Tina - My House An Acre of Stoney Ground
Brooks, Tina - My House An Acre of Stoney Ground
€585.00

oil on canvas

30cm x 30cm x 2cm

unframed

Brown, Betty - For the Embrace of Nothing
Brown, Betty - For the Embrace of Nothing
€700.00

acrylic on canvas

30cm x 30cm x 2cm

unframed

Burke, Mary - '..when the master's buried mice can play'
Burke, Mary - '..when the master's buried mice can play'
€950.00

oil pastel on canvas

30cm x 30cm x 2cm

unframed

Burns, Breda - Palimpsest Memories
Burns, Breda - Palimpsest Memories
€650.00

etched copper

30cm x 30cm x 2cm

unframed

Calder, Ian  -  'A winding stair, a chamber arched with stone'
Calder, Ian - 'A winding stair, a chamber arched with stone'
€600.00

acrylic on canvas

30cm x 30cm x 2cm

unframed

Carman, Cathy -“….turn towards my chamber, caught in the cold snow of a dream.”
Carman, Cathy -“….turn towards my chamber, caught in the cold snow of a dream.”
€1,950.00

gold, pigment and paper on Jesmonite

30cm x 30cm x 2cm

unframed

Cassidy, Barra - The Passing Hour
Cassidy, Barra - The Passing Hour
€480.00

mixed media

30cm x 30cm

unframed

Caulfield, Marie - ‘Sato’s gift, a changeless sword'
Caulfield, Marie - ‘Sato’s gift, a changeless sword'
€750.00

acrylic on canvas

30cm x 30cm x 2cm

unframed

Chester, Daniel - ‘Nothing but Stillness'
Chester, Daniel - ‘Nothing but Stillness'
€480.00

oil on dibond

30cm x 30cm x 2cm

unframed

Clarke, Nuala - Everything and Nothing
Clarke, Nuala - Everything and Nothing
€750.00

acrylic on board

30cm x 30cm x 2cm

unframed

Colhoun, Patrick - Sato's Gift
Colhoun, Patrick - Sato's Gift
€675.00

ceramic, timber, thread & inlay banding

30cm x 30cm x 2cm

unframed

Colreavy, Paul - Reed Beds II   'Out of the obscure dark of the rich streams'
Colreavy, Paul - Reed Beds II 'Out of the obscure dark of the rich streams'
€220.00

oil on canvas

30cm x 30cm x 2cm

unframed

Connolly, Aideen - Emblems of Adversity
Connolly, Aideen - Emblems of Adversity
€350.00

acrylic on canvas

30cm x 30cm x 2cm

unframed

Costello, Malachy - '‘As though to die by gunshot were the finest play under the sun'
Costello, Malachy - '‘As though to die by gunshot were the finest play under the sun'
€1,950.00

oil on board

30cm x 30cm x 2cm

unframed

Crotty, Aidan - The basin spills
Crotty, Aidan - The basin spills
€700.00

oil on linen

30cm x 30cm x 2cm

unframed

Crowley, Dominique - Adversity
Crowley, Dominique - Adversity
€1,000.00

oil on beech panel

30cm x 30cm x 2cm

unframed

Cullen, John - Meditations in Time of Civil War
Cullen, John - Meditations in Time of Civil War
€350.00

acrylic on wood panel

30cm x 30cm x 2cm

unframed

Cunningham-Bell, Sara - ‘7 Honey Bees and 2 Cups’
Cunningham-Bell, Sara - ‘7 Honey Bees and 2 Cups’
€750.00

oil on canvas

30cm x 30cm x 2cm

unframed

Curran Mulligan, Patricia - The Stare's
Curran Mulligan, Patricia - The Stare's
€850.00

oil on canvas

30cm x 30cm x 2cm

 unframed

Davey Orr, Anne - The Clanging of Wings
Davey Orr, Anne - The Clanging of Wings
€550.00

acrylic on canvas

30cm x 30cm x 2cm

unframed

Davis, Gerry - Climb to the Tower-Top
Davis, Gerry - Climb to the Tower-Top
€200.00

photo transfer and oil on board

30cm x 30cm x 2cm

unframed

Daye-Hutchinson, Karen - ‘An Eye For An Eye’ 
Daye-Hutchinson, Karen - ‘An Eye For An Eye’ 
€450.00

acrylic, graphite and linen on board

30cm x 30cm x 2cm

unframed

Delaney, Catherine - “Life overflows without ambitious pains”
Delaney, Catherine - “Life overflows without ambitious pains”
€400.00

acrylic on handmade paper

30cm x 30cm x 2cm

unframed

Delargy, Diarmuid - "The Most Important Building in Ireland"
Delargy, Diarmuid - "The Most Important Building in Ireland"
€850.00

oil on canvas

30cm x 30cm x 2cm

unframed

Doran, Miriam - 'Have Closed the Ladies Eyes'
Doran, Miriam - 'Have Closed the Ladies Eyes'
€480.00

acrylic on canvas

30cm x 30cm x 2cm

unframed

Dubsky, Susan - ‘A mist that is like blown snow is sweeping over all  Valley, river and elms , under the light of a moon”
Dubsky, Susan - ‘A mist that is like blown snow is sweeping over all Valley, river and elms , under the light of a moon”
€550.00

oil on canvas

30cm x 30cm x 2cm

unframed

View More of the Artworks

Meditations in Time of Civil War

Foreword to the exhibition catalogue by Susan O’Keefe, Director of The Yeats Society.


thumbnail_SOKheadshot1.jpg

We are closed in, and the key is turned
On our uncertainty;

The gift of poetry is its capacity to shake, comfort and question the world in which we live. It has done so since humans discovered a way to make, and make sense of, written marks; messages which endure through the ages.

 William Butler Yeats made a conscious decision to be part of that grand tradition, to be a poet, a man of marks, somehow divining as a teenager that poetry would endure as his medium, able to embrace and examine those mortal challenges, even as they changed during his life. And in 1922, when he wrote Meditations in Time of Civil War it was a time for change, for the poet and for Ireland. He had married five years earlier and now had two children. The horrors of World War I had ended but their shadow remained.  And Ireland’s moving, from colony of the British Empire to a nascent republic, was turbulent and traumatic, raw and real. As only civil war can be.

Of all changes, bloodshed creates a deep mark; the moment between life and death. Yet Yeats never wrote directly about the years of bloodshed he had lived through, never permitting himself to appear to glorify war or sentimentalise death. Instead, this lengthy work, made up of seven pieces, is a challenging distillation, drawn from the changes confronting him, while rooted in the constant questions of human frailty, human error and the unchanging passage of time.

In these seven interlocking poems, the poet passes from the certainty of the world he knew and understood and the certainty he had created for himself, to a new, more fragile, speculative state, where familiar symbols and realities now have no place or resonance. Within this, he weaves his first-hand account of the bridge at his home, the tower, Thoor Ballylee being blown up in the civil war; his kitchen flooded as a result. Yeats also tells of the tower itself, of its sense of permanence and endurance as he climbs the winding stair to the top to see the ‘mist that is like blown snow’ – the immediate reminder once again of the contradicting impermanence of life.

No surprise then that this poem collection has borne such a broad and deep range of interpretation. Each artist has meditated on the work, seeking out the line, the words, a picture or symbol to create a new journey through the complexity of thoughts woven by the master poet. And a new medium in which to express that discernment.

Each work draws out and distils something precious; a fragment, a flash of colour, a new longing, a silence or a vague memory. And together, their collective work is a gift to us the viewers, of new ways of seeking old truths, a new set of marks; hieroglyphs from this age, bearing witness to the marks that went before, all integral to the story of our being.

Susan O’Keeffe, Director, Yeats Society Sligo


Meditations In Time of Civil War Ancestral Houses.jpg
Meditations In Time of Civil War My House.jpg
Meditations In Time of Civil War My Table.jpg
Meditations In Time of Civil War My Descendants.jpg
Meditations In Time of Civil War The Road at my Door.jpg
Meditations In Time of Civil War Phantoms.jpg